Inspiration from Perth, Australia

I love plant forms with the infinite variety of blooms, leaves and limbs, and the many different textures, shapes and hues. Being married to a passionate birder has its perks. In search of birds we see many kinds of ecosystems and landscapes. Gardens, parks and preserves are always on the itinerary when we travel, as well as museums, art galleries and good restaurants. Our most recent trip is Perth, Australia where my husband was a key note speaker at a conference hosted by Curtain University.

Our lovely host, Rhonda Oliver, took us to Kings Park and Botanic Garden, a 400.6 hectare national park overlooking Perth Water and the central business district. It was beautiful. I am often asked where I get my ideas. My answer, from carefully looking, noticing and observing my surroundings. Travel often stimulates new ideas. I also take photos and sketch. I think my next piece might be something along the lines of “Garden Down Under.’

Here are some of the inspiring things I saw. I especially liked the interesting leaf shapes. Enjoy!

Banksia variation

Banksia variation

The Purpose of Deadlines

How many of us have projects around our homes that we know we need to do and tell ourselves some day I’ll get to that. Months, maybe years later the project still isn’t done. No judgement here. Just reality.

My husband and I had an old vehicle sitting in our driveway for nearly nine months. At first we drove it a few times, and then it sat so long that the battery died. We kept talking about our need to drive it, but nothing ever happened. At seven months we tried to jump start it. No go. At eight months my husband bought a big charger at the local hardware store. It worked the first time we used it, but when we tried to restart the car after we drove it, it was dead again. At nine months we learned a friend was coming to town and would need a vehicle to drive for two weeks. I told my friend she could drive our car. Another friend took a look at the vehicle and told us he could put a new battery in it. Then we took it to the shop because the brakes were sticking from sitting too long. Today we dropped the car off for our friend. It’s brakes are good and it has a brand new battery. The moral of this story: deadlines are our friends!

We wanted to get the car running, but it just wasn’t a priority. Our friend’s need was the perfect motivation to get the vehicle serviced and working properly.

So how does this apply to the studio? I use goal setting in my studio to push myself forward.

I had set a goal in my studio to finish designing a new large composition by the end of September. I was only two-thirds done. Deadline not met, but the deadline still served a significant purpose. As Robert Browning the poet wrote “Ah but a man’s reach should exceed his grasp, or what’s a Heaven for?” I have pinned to my studio wall another quote similar to Brownings’ poetic line. “It is a paradoxical but profoundly true and important principle of life that the most likely way to reach a goal is to be aiming not at that goal itself but a some more ambitious goal beyond it.” — Arnold Toynbee

The deadline I set for myself was ambitious, but obtainable if all went according to plan. But life seldom goes according to plan. Life was interrupted by unexpected events, some quite fun. So I set a new goal of finishing by the end of October. But the last week I have been too sick to work. I only have about 15% left. I still dream of finishing by the end of the month. It will be a stretch, but if I don’t challenge myself, who will?

What kind of goals do you set for yourself? How do you challenge yourself to keep improving and moving forward? When you miss a goal what do you do?

The 15% left to design!

The 15% left to design!

How does one decide to become an artist?

Someone recently asked me this question. In the moment I responded, “I have always liked to make things.” But becoming an artist means more than just making things. The quote from Steven King is true: “Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work.”

My first step in becoming an artist was beginning to take myself seriously. I applied myself to the study of art. I learned the language of design. I read art books. I studied art history. I took classes with professional artists. As I heard or read professional artists or art critics discuss art work, I tried to see what they saw. This is one of the ways I worked on developing my eye. I learned how to critique my own work. I also made visiting art exhibits a higher priority. For example, I traveled to London just to see the retrospective on Paul Klee at the Tate Modern. It was transformative for me.

I also began tracking how many hours I was actually working as an artist. This was inspired by another artist, Lisa Call. (Check out her awesome website lisacall.com.) She was achieving things I dreamed of doing, and I have to admit that I was a bit jealous. But then I asked myself a hard question. Am I really working as hard as she is? She shared that she tracked how many hours she worked. So I began to do likewise. I later heard a comment from my father when he was discussing one of his businesses. He said, “What gets measured gets improved.”

The country western singer Tim McGraw has a song titled “How bad do you want it?” It always boil down to this. How much are you willing to invest in developing your abilities? How seriously are you pursuing being an artist? How hard are you willing to work at developing your talent to its fullest potential? At then end of the day no one else in the world knows or cares how many hours I work in my studio. Only I do. So I measure my hours striving to improve efficiency, quality and production. Hopefully my hard work shows.

My studio hours from 2011 to today.

My studio hours from 2011 to today.

On Making a Shark Baby Quilt

I have one daughter. Her name is Winona, named after my beloved grandmother who taught me how to sew. My daughter has her own table in my studio. Through the years we have done a few small sewing projects, but she prefers her pastels and paints. So when she announced that she just HAD to make a shark baby quilt for her roommate’s sister’s first baby born during shark week, I was shocked but excited. This was also only two weeks before my daughter was leaving to spend her fall semester in Beijing, China. We had so much to do to get her ready for her trip! And we were also going to get this quilt done before she left?

Lots of thoughts ran through my head. Had she ever even met this sister? Would the baby girl be traumatized by a shark quilt? Does my daughter really have any idea how long it takes to make something like this? But the beauty of working together like I had always dreamed brought a crazy grin to my face. We would make this happen!

Winona wanted to sew. She wanted to make a quilt as a gift. That is how I started out. I could justify spending the time and money to make a quilt if it was a gift for someone else. I have met other artists who have shared the same story. When they first started creating, it was to make gifts or out of necessity.

Why is it we struggle to justify what we love doing — creating beautiful things? Doesn’t the world need more beauty? Do we have to have a purpose for making a piece of artwork? Or can we give ourselves the freedom to just make for the sake of making?

What would happen if we allowed ourselves to just create for the sake of creating? If we didn’t need an excuse?

Winona and I started the Shark quilt on a Sunday afternoon. She thought it would be all finished by the following day at 4 pm when she was driving back to Grand Rapids. Isn’t that sweet? Instead we mailed the quilt the following Saturday to her roommate who gave it to her sister. Turns out the father of the baby loves sharks like Winona does and thinks it’s awesome. Hopefully baby Junia will grow to love sharks too.



Winona and her Shark baby quilt for Junia.

Winona and her Shark baby quilt for Junia.

Saying Yes to opportunity!

Late last year when I began dreaming of a bigger space to work, I would have never thought of the opportunity that presented itself. And now I have a commercial building under contract!

I am excited about the many opportunities this building offers. It is centrally located in the state of Michigan only a few miles off of Interstate 96. Williamston is an hour to Detroit, an hour to Grand Rapids, 45 minutes to Ann Arbor, and only 20 minutes to Michigan State University.

Next step is planning the renovations. From the photo you can see the starting point. The building, approximately 100 years old, is currently a dance school with lovely 20 foot ceilings on both floors. I want to create a clean, modern space with great lighting. I also hope to use this space to create community through classes, critiques and perhaps a gallery space. Dreaming big.

What are your dreams? If you allowed yourself to dream with no limits, where could it take you? If you could do anything, what would it be?

Sometimes opportunity is disguised.

Sometimes opportunity is disguised.

Creative Spaces


Looking back through my life, I have almost always had a designated creative space of my own. The first one I remember was a bedroom with a big built-in desk. When we moved to this house my mother specifically wanted me to have this room so that I had space to create. I was in the 4th grade.

Having a designated creative space is one of the ways we set ourselves up to be successful. Through the years my spaces have consistently had a minimum of four things: good lighting, a design wall, a cutting table and a sewing machine that is always out and ready to sew! My spaces have been in bedrooms, basements, and even part of the family room. My current space, pictured above, is  an 800 square foot room over the garage with a 10 foot ceiling and full spectrum lighting. However, I seem to be outgrowing this space.


As I was considering how I might be able to enlarge my studio, I quickly realized an addition was not possible. Plus I realized that I wanted an opportunity to interact more with like minded people. I began dreaming of a space where I could have critique gatherings and possibly teach. A  bigger and nicer dye studio would also be great. Then I learned that a commercial building in my small town had come onto the market. It is 100 years old with two stories, each having 20 foot ceilings. It also has a one story storage area  with natural light that is nearly 800 square feet — a possible dye studio/teaching space?


So the question is how much do I believe in myself? How much am I willing to invest in myself? Am I willing to take the risk?


Stayed tuned …


What is your creative space like? How are you setting yourself up to be successful? What barriers can you remove to enable yourself to create move? How much are you willing to invest in yourself?

Creating During In-Between Times

I often find it hard to begin new projects when I have upcoming commitments that take me away from my studio. A classic example is the time between Thanksgiving and Christmas.

This past December I had a glorious week compleletly alone at home (a first for me since having children). While I knew I did not want to start a new large work, I did want to create something from start to finish. So I decided to do something I had never done before. I made Christmas ornaments.

First I had fun playing with ideas. Once I finalized the design, I went into production mode. To speed up the process and minimize fabric usage I used paper piecing. I don’t use this technique in my large quilts, but for working small and repetitively it is a timesaver.

Production mode!

Production mode!

I had so much fun! I made a total of 22 ornaments. I had forgotten the pleasure in repetitious making.

Flowers

Flowers

As gifts these were very well received. And it was so satisfying to complete a creative project from start to finish within a few days.

How have you found creative satisfaction in the “in-between times”?

Finished Ornaments

Finished Ornaments